![]() Overall the imagery, far from providing straightforward depictions of contemporary performances, tends to use rituals and narratives distinctive of dithyramb as vehicles for playing out notions of collective festivity, an aspect of crucial interest within the sympotic viewing context of the vessels. The sacred wedding of Dionysos and Ariadne is portrayed on the krater. ![]() She holds the reins in her outstretched hands, as well as a goad in. Attic Red-Figure Calyx Krater Illustration by Liana Miate published on 29 June 2022 Download Full Size Image It bears the representation of the god Dionysos, Ariadne and the winged god Eros between two Satyrs members of Dionysos' troupe. Contemporary polemics of literary/musical discourse are largely absent, as can be seen in depictions of Marsyas and other mythical musicians, where the vase-painters rather stress the prestigious nature of these great performances of the past, while generally avoiding allusions to their violent or problematic aspects. This red-figure calyx-krater depicts Nike on the front driving in a triga to the right. Thus, the thiasos of Dionysos is repeatedly envisaged as a cyclical chorus satyrs and maenads can act as personifications of dithyramb and other performative genres, thereby unfolding outright allegories of ritual practice scenes of dithyrambic victory celebrations focus on the joyful character of the occasion. ![]() Within the imagery of late-fifth-century painted pottery from Athens, a whole range of visual contexts can be made out, where dithyramb is referred to, if in a distinctively oblique manner. ![]()
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